In the glory days of the Weimar Republic, the cheerful yet acerbic watercolor vignettes of the Berlin artist known as Dodo (Dorte Clara Wolff, 1907-1998) attained great popularity, becoming as iconic to their times as Jeanne Mammen's illustrations for Ulk; after relocating to Zurich, she switched styles and embraced New Objectivity. This volume offers the first appraisal of her career.
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